The Gastien Series
Gastien
Part 1: The Cost of the Dream
Gastien
Part 2: From Dream to Destiny
Tristan
Michel: Bloodline of Passion
Coming Fall
of 2012: Giselle: Bloodline of Passion
Final Book
in Series Coming in Early 2013
Michelle: Caddy, it's a pleasure to have you appearing on my blog today. Tell me a
little bit about your latest book?
Caddy: My
latest book is Tristan Michel: Bloodline of Passion. It released in May and is the third book in
the five book series called The Gastien Series.
This book is about Gastien’s son.
I think the description says it rather effectively:
From
the bustling streets of New York City to the smoky speakeasies of Roaring
Twenties Chicago, Tristan finds huge financial success. Along with respect,
tradition, and family, he promises himself that this will be enough. Having
achieved peace by forgiving his father his debauchery, he’s certain that there
is nothing that could induce him to follow in his father’s lascivious
footsteps.
Like father, like son will never apply to Tristan.
Then the urgent whisper that has been telling him there should be more than what he is experiencing with his wife becomes a full blown roar. With a very proper wife that refuses to loosen up, Tristan learns that the passion of the father is very much the passion of the son. To deny it may be impossible, but to embrace it could cost him everything. Book 3 of The Gastien Series.
Like father, like son will never apply to Tristan.
Then the urgent whisper that has been telling him there should be more than what he is experiencing with his wife becomes a full blown roar. With a very proper wife that refuses to loosen up, Tristan learns that the passion of the father is very much the passion of the son. To deny it may be impossible, but to embrace it could cost him everything. Book 3 of The Gastien Series.
M: How did you come up with the title?
C: The title was easy to come up with because Gastien was a man of extreme
passion, both for women and for painting. Tristan Michel is also very
passionate about his career and also about
being successful and acceptable. He desperately tries to deny the sexual
passion that he inherited from his father.
I like to write gritty, and I am not shy about writing graphic sex. This
series has adult themes, but is not erotica. I also like to show the bad sides
along with the good sides of a main character, and show some good in bad people
throughout the series. People are seldom
all sinner or all saint in life, so why should they be one or the other in
fiction?
M: Do you plan your work or just go
with it and start with the initial idea?
C: I start with the initial idea. I
always say that the main character writes the book. As I write things come into my mind that
would be a good addition to the story, so I jot down a word or two to remind
myself. I have a piece of paper with
words scribbled all over it while I am writing.
It would make no sense to anyone else. The characters just happen. I can
be typing away and all of a sudden – boom – there is a new character! That is one of my favorite parts of writing,
when a new character arrives out of the blue.
M: What inspires you to write? Where do you find your influences?
C: I have always liked telling stories. I am also a painter, so the
Impressionism Era in Paris is interesting to me, and the styles that evolved
from it are even more so. I would say
art and love of artists influenced me.
My inspiration now comes from the emails and messages that I get from
readers telling me that they love my work and can’t wait for the next
book. That is truly rewarding.
M: What are your current projects?
C: Right now I am working on Giselle: Keeper of the Flame. This will be the fourth book in The Gastien
Series. It will come out this fall. The fifth, and final, book of this series
should come out in early 2013.The Gastien Series is a dramatic family saga and historical fiction. It is for both men and women.
M: Are there any downsides to being a
writer?
C: Sure. That is true no matter what
you do. It is very hard to make a living
until you have several books out. Even
then, if you don’t market the books you still won’t. That would be one downside. Tons of time is put into writing and getting
it ready for release and many authors never see any financial success.
Also, you live inside of yourself when you write. I would say that is true for any artist. You
observe things, but it can be like you aren’t really there. I can’t remember the exact quote, but one
novel I read described it as not really being present but standing apart from
others in real life, as if you are behind glass watching. It went on to say that was how it was meant
to be or else the writer (this character was a writer) could not absorb enough
to be able to create characters and situations.
Rather than feeling like he was living the experiences, he was observing
them and storing them away for reference. I don’t know if that makes sense. I
guess it is a long way of saying that writing can be isolating! I make sure
that I get out and socialize with friends and that I get out of my head while
doing so.
Also, it is hard to live separately from your book. It is like you must pull yourself out of one world and join this one. That in itself is a skill that takes time to learn.
M: How do you come up with your
characters?
C: I come up with a vague story idea and then a character comes to mind. I
sit down at the keyboard and ask the character to come to me. While I am
writing, ideas are jotted down in one or two words. For example: Marries. So
then I need a spouse. The name just
comes. And, many times while writing a scenario or characters just come out of
the blue. When I am writing a book, thoughts come to me while doing other
things. I write down the word that will
remind me and later it gets added and the person just happens. Sometimes the
person happens in my mind and that word reminds me or sometimes, as I said,
they just show up.
I am very seat of the pants when it comes to the story and the
characters. That does not mean I don’t
research. Once I start typing a scene
into the book, I will stop and research. I am currently writing historical
fiction, so research is very necessary.
Another thing I do is, while writing, I will go on internet and type in
“historical eventts 1920 in Chicago” for example. That gives me the big items that happened
during that time.
M: Favourite book?
C:1984 by George Orwell.
M: What are you reading now?
C: I made a commitment to only read books by indie authors this year unless
someone gives me a book. I have found
some real clunkers BUT I have also found some truly engrossing stories. Right now I am reading The Invisible
Hands-Part 1: Gambit by Andrew Ashling.
This new series has the same characters (plus new ones) as his The
Invisible Chains series. I loved that series. He has a style that totally takes
me into the story. I have sobbed at
times and laughed many others. Be
warned: his books are very graphic both sexually and in regard to
violence. He is a great storyteller and
I will always read anything he writes. I would never have read these books had
I not gotten to know him in a author forum, as I would have thought the genre
of fantasy would not interest me, but they are fantastic. Think Game of
Thrones, but with gay characters!
M: Do you have any advice for other writers?
C: 1. Just write it. It seems
overwhelming to write a book, but it isn’t. Write an hour a day and don’t edit or read the
previous work. You will get stuck. There is nothing to edit until you have a
complete book, so keep going until the end.
2. Get an editor and a proof-reader.
Get some beta readers. If – and
only if – you have a command of grammar and spelling and have eye for detail
you can edit and proof yourself. This
does NOT mean a read through. This means
weeks, and I mean weeks, of reading the whole thing several times, reading it
out loud, reading it backwards (last paragraph forward to stay out of the story
and just see errors). This is not
something to take lightly. That is one
fault that I see in many indie works. More
and more people are entering the indie arena and too many do not have edited
work that is proofed. By the same token,
some people are too hard on indies. I
have seen a couple errors many times in books published by the Big 6. In fact, some were glaring! A novel of 125,00
words can easily have a mistake or two.
3. Keep writing. The marketing
and other things you can learn. Just get
the book written. Written well. Proofed
well. Then you can worry about the other things.
M: How do
you perceive the world of self publishing?
C: There is
good and bad in it. Like I mentioned
above, there are people that release books that are poorly proofed and edited. Readers:
One way to avoid those is read the sample Amazon provides. You get 10% of the
book there. Problems will show up in
those pages. Check the reviews. Do they
have reviews from bloggers/reviewers? Also, buy some indie books that cost more
than “free” or .99. Come on, even $4.99
is less than a good beer or a movie ticket! Yes, some good books are made free
to gain traction, but many are not so great. Sometimes you do get what you pay
for. Take a chance and buy a few $2.99,
$3.99 and $4.99 indie books.
The good? I did not even try to get
traditionally published. It takes years, and cancer taught me that none of us
are guaranteed years! I was self-employed for over twenty years because I liked
calling my own shots. Indie publishing
just fits my style. I like the freedom
to write how I want to, what I want to (even if it is not vampires or zombies),
and to price my books how I want to. I
like to pick the covers and I love the marketing. It is nice being in control of my work.
Would I take a contract if
offered? If it was fair to me, maybe. I
don’t see many contracts that pay what one can make being indie. If the chances of success were much greater with
a publisher, maybe. Again, that does not
seem to be the case. Too few authors get anywhere traditionally. I have to laugh when people say very few make
money as an indie. True enough. They forget to mention that the same is true
if you are traditionally published. The
odds are stacked against you there, too.
In short, if you write a good book,
keep writing good books, have them edited and proofed well, and market, then
going Indie is a wonderful opportunity. Amazon pays 70%. Other outlets play
indies close to that. What more needs to be said? It is a gamble, but it is a
gamble with reasonable odds. Go for it.
The only people badmouthing indies
now are those who feel their livelihoods are threatened by us, and those who
have downloaded “free” and .99 books without reading the sample to see if they
are worth reading. The rest of the world knows that when they want to read
something fresh and new they can buy an indie book, usually under $5.00.
Buy links for Gastien Part 1: The Cost of the Dream:
http://tinyurl.com/3ecu8ku For Kindle readers
http://tinyurl.com/3ue4a7h For NOOK readers (Part 1
http://tinyurl.com/3luddg7 To order paperback (Part 1)
Gastien Fanpage: www.facebook.com/Gastien.Beauchamp
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